Robert William Gary Moore was born in Belfast on 4 April 1952. The younger Robert grew up near Stormont Estate in Ballymiscaw with his four siblings. He sang "Sugartime" after his father invited him onstage to sing with a showband at an event that his father had organised. This first sparked the younger Robert's interest in music, and he credits his father with starting him in music by allowing him to perform. The older Robert bought his son his first guitar, a second-hand Framus acoustic, when Moore was 10 years old. Though left-handed, the younger Robert learned to play the instrument right-handed. Not long after, he formed his first band, The Beat Boys, who mainly performed Beatles songs. He later joined Platform Three and The Method, amongst others. Around this time, he befriended guitarist Rory Gallagher, who often performed at the same venues as him. He left Belfast for Dublin in 1968 just as The Troubles were beginning in Northern Ireland. A year later, his parents separated. After moving to Dublin, Robert William Gary Moore joined the Irish blues rock band Skid Row. At the time, the group was fronted by vocalist Phil Lynott. He and Moore soon became friends and shared a bedsit in Ballsbridge, a neighbourhood in the southern part of Dublin. However, after a medical leave of absence, Lynott was asked to leave Skid Row by the band's bassist Brush Shiels, who had taken over lead vocal duties. In 1970, Skid Row signed a recording contract with CBS Records International and released their debut album Skid, which reached number 30 on the UK Albums Chart. After the album 34 Hours in 1971 and tours supporting The Allman Brothers Band and Mountain amongst others, Moore decided to leave the band. He had become frustrated by Skid Row's "limitations" and opted to start a solo career. In retrospect Moore commented, "Skid Row was a laugh but I don't have really fond memories of it, because at the time I was very mixed up about what I was doing." Sebastian Bach, former frontman of the American heavy metal band Skid Row, claimed that Moore sold them the rights to the name in 1987 for a reported $35,000. Shiels contested the story in 2012 claiming he still owns the rights. Rachel Bolan of the American Skid Row also refuted the story in 2019 saying, "There was never any money exchange. Snake and I went and trademarked the name, and there was no problem." After leaving Skid Row, Phil Lynott formed the hard rock group Thin Lizzy. After the departure of guitarist Eric Bell, Moore was recruited to help finish the band's ongoing tour in early 1974. A 1974 performance of the song "The Rocker", on the Dutch TV programme TopPop, features Moore. Moore recorded three songs with the band during this time, including "Still in Love with You", which he co-wrote. The song was later included on Thin Lizzy's fourth album Nightlife. He left Thin Lizzy in April 1974. While he enjoyed his time in the band, he felt it wasn't good for him: "After a few months I was doing myself in, drinking and high on the whole thing." In 1977, Moore rejoined Thin Lizzy for a tour of the United States after guitarist Brian Robertson injured his hand in a bar fight. After finishing the tour, Lynott asked Moore to join the band on a permanent basis, but he declined. Robertson eventually returned to the group, before leaving for good in 1978. Moore took his place once again, this time for long enough to record the album Black Rose: A Rock Legend, which was released in 1979. The record was a success, being certified gold in the UK. However, he abruptly left Thin Lizzy that July in the middle of another tour. He had become fed up with the band's increasing drug use and the effects it was having on their performance. He was temporarily replaced by Scotsman Midge Ure from Ultravox, then another Scotsman Dave Flett from Manfred Mann's Earth Band before English guitarist and Pink Floyd backing musician Snowy White became the official replacement for Moore. He later said that he had no regrets about leaving the band, "but maybe it was wrong the way I did it. I could've done it differently, I suppose. But I just had to leave." Thin Lizzy eventually disbanded in 1983 with Moore making guest appearances on the band's farewell tour. Some of the performances were released on the live album Life.
After Lynott's death in January 1986, Moore performed with members of Thin Lizzy at the Self Aid concert in May of that year. He joined the stage with former Thin Lizzy members again in August 2005, when a bronze statue of Lynott was unveiled in Dublin. A recording of the concert was released as One Night in Dublin: A Tribute to Phil Lynott. In 1973, Moore released the album Grinding Stone, which was credited to The Gary Moore Band. An eclectic mix of blues, rock and jazz, it was a commercial flop with Moore still unsure of his musical direction. The Gary Moore Band had toured the UK as a supporting act during 1972. Between stints in Thin Lizzy, he released his first proper solo album Back on the Streets in 1978. It spawned a hit single, "Parisienne Walkways", which featured Phil Lynott on lead vocals and bass. The song reached number eight on the UK Singles Chart and is considered Moore's signature song. After leaving Thin Lizzy in 1979, Moore moved to Los Angeles where he signed a new recording contract with Jet Records, a British label. He recorded the album Dirty Fingers, which was shelved in favour of the more "radio-oriented" G-Force album. G-Force came out in 1980. Dirty Fingers was eventually released in Japan in 1983, followed by an international release the next year. After moving to London and signing a new recording contract with Virgin, Moore released his second solo album Corridors of Power in 1982. While not a major success, it was the first album to feature him on lead vocals throughout as well as his first solo release to crack the Billboard 200 chart. Musically Corridors of Power featured "more of a rock feel", with additional influences from AOR bands such as Journey and Reo Speedwagon. The album also featured former Deep Purple drummer Ian Paice, Whitesnake bassist Neil Murray and keyboardist Tommy Eyre, who had previously played with Moore in Greg Lake's backing band. During the supporting tour for Corridors of Power, singer John Sloman was hired to share lead vocal duties with Moore and Eyre was replaced by Don Airey. In 1984, Moore released the album Victims of the Future, which marked another musical change, this time towards hard rock and heavy metal. Neil Carter was added for the album and he continued to push Moore in the new musical direction. For the supporting tour, they were joined by former Rainbow bassist Craig Gruber and drummer Bobby Chouinard, who were later replaced by Ozzy Osbourne bassist Bob Daisley and former Roxy Music drummer Paul Thompson, respectively.
In 1985, Moore released his fifth solo album Run for Cover, which featured guest vocals by Phil Lynott and Glenn Hughes. Moore and Lynott performed the hit single "Out in the Fields", which reached the top five in both Ireland and the UK. On the back of its success, Run for Cover achieved gold certification in Sweden, as well as silver in the UK. For the album's supporting tour, Paul Thompson was replaced by drummer Gary Ferguson. Hughes was supposed to join the band on bass, but due to his substance abuse problems, he was replaced by Bob Daisley. After Lynott's death, Moore dedicated his sixth solo album, 1987's Wild Frontier to him. A blend of Celtic folk music, blues and rock, the album was another success, being certified platinum in Sweden, gold in Finland and Norway, as well as silver in the UK. The album had a hit single "Over the Hills and Far Away", which charted in nine countries. For the accompanying tour, former Black Sabbath drummer Eric Singer joined Moore's backing band. Wild Frontier was followed up by 1989's After the War, which featured drummer Cozy Powell. However, he was replaced by Chris Slade for the supporting tour. While After the War achieved gold status in Germany and Sweden, as well as silver in the UK, Moore had grown tired of his own music. He told former Thin Lizzy guitarist Eric Bell that after listening to some of his own albums, he thought they were "the biggest load of fucking shite" he had ever heard. In his own words, Moore had lost his "musical self‑respect". In 1990, Moore released the album Still Got the Blues, a return to his blues roots and collaborating with Albert King, Albert Collins and George Harrison. The idea for the record came up during the supporting tour for After the War–Moore often played the blues by himself in the dressing room and one night Bob Daisley jokingly suggested that he do a whole blues album. The change in musical style was also underlined by a change in Moore's wardrobe. He sported a smart blue suit for videos and live performances instead of being "all dolled up like some guy in Def Leppard". This was a conscious decision by Moore to attract new listeners, and he informed his old audience that "this was something new". In the end, Still Got the Blues became the most successful album of Moore's career, selling over three million copies worldwide. The album's title track also became the only single of his solo career to chart on the Billboard Hot 100; it reached number 97 in February 1991. For the album's supporting tour, Moore assembled a new backing band dubbed The Midnight Blues Band; it featured Andy Pyle, Graham Walker and Don Airey as well as a horn section. Still Got the Blues was followed by 1992's After Hours, which went platinum in Sweden and gold in the UK. The record also became Moore's highest-charting album in the UK where it reached number four. In 1995, Moore released Blues for Greeny, a tribute album to his friend and mentor Peter Green. After experimenting with electronic music on Dark Days in Paradise (1997) and A Different Beat (1999), Moore once again returned to his blues roots with 2001's Back to the Blues. Power of the Blues (2004) followed, in addition to Old New Ballads Blues (2006), Close as You Get (2007) and finally Bad for You Baby (2008). Prior to his death, he was working on a new Celtic rock album which was left unfinished. Some of the songs later appeared on the live album Live at Montreux 2010. Additional unreleased recordings of Moore's were released on the album How Blue Can You Get in 2021. In 1975, Moore joined progressive jazz fusion group Colosseum II, which was formed after the demise of bandleader Jon Hiseman's previous band Colosseum. Moore recorded three albums with the group, before leaving to join Thin Lizzy in 1978. While living in Los Angeles in 1979, Moore formed the band G-Force with Glenn Hughes and Mark Nauseef. However, Hughes was soon fired due to his problems with substance abuse. The band then recruited singer Willie Dee and bassist Tony Newton. At the same time, Moore was also being courted to join Ozzy Osbourne's band. He declined and G-Force helped Osbourne audition other musicians for Osbourne's band. G-Force released their self-titled debut album in 1980 and toured opening for Whitesnake. Before the end of the year, however, the band broke up. After G-Force, Moore was recruited to play guitar in Greg Lake's solo band. They recorded two studio albums together, 1981's Greg Lake and 1983's Manoeuvres, as well as the live album King Biscuit Flower Hour Presents Greg Lake in Concert, which was released in 1995. In 1982, Moore was considered for the guitarist position in Whitesnake, but vocalist David Coverdale opted not to recruit Moore as the band was in the process of severing ties with their management. In 1987, Moore collaborated on the UK charity record "Let It Be", which was released under the group name Ferry Aid. From 1993 to 1994, he was a member of the short-lived power trio BBM ("Baker Bruce Moore"), which also featured Jack Bruce and Ginger Baker, both formerly of Cream. After just one album and a European tour, the trio disbanded. The project was marred by personality clashes between members as well as "ear problems" which Moore sustained during the tour. He later said of the band's break-up: "There were a lot of things within the band that would have made it impossible, long term. I think that politically Jack [Bruce] was used to having his own band, I was used to having my own band and so it was very difficult." In 2002, Moore collaborated with former Skunk Anansie bassist Cass Lewis and Primal Scream drummer Darrin Mooney in Scars, which released one album. Moore performed on the One World Project charity single "Grief Never Grows Old", which was released in 2005. Over the course of his career, Moore played with many more artists including George Harrison, Dr. Strangely Strange, Andrew Lloyd Webber, Rod Argent, Gary Boyle, B.B. King, The Traveling Wilburys and The Beach Boys. During the early hours of 6 February 2011, Moore died of a heart attack in his sleep at the age of 58. Moore was buried in a private ceremony at St Margaret's Churchyard in Rottingdean, near Brighton, with only family and close friends in attendance.
